J. Walitalo Woodburning

 

Offers fine art in pyrography for you. 

About the Artist

     Growing up in rural mid-Michigan, Joanna was strongly influenced by her mom, who was an art and science teacher, and her father ran the day-to-day operations of Wildlife Recovery Association, an organization dedicated to research, rehabilitation, and education about wildlife. Joanna’s unique upbringing brought her close to nature on a daily basis. Having been raised with hawks, owls, eagles, falcons, bears, a wolf, and many other rare and endangered species, Joanna spent many days in the wilderness observing landscapes, plant life, and wildlife. Coupled with her close connections to animals and plants, her mom taught her how to see the world through the eyes of an artist.

     Joanna pursued a scientific focused education, inspired by her parents’ scientific background. She earned a B.S. with a dual major in Biology and Environmental Policies from Central Michigan University, taking art classes as electives when she had the opportunity.

     From there, Joanna moved to the Upper Peninsula of Michigan to pursue a degree in Forestry from Michigan Technological University. “I spent almost every summer of my life in the back country of the U.P. camping on the top of cliffs, observing the behavior of Peregrine Falcons with my parents. I knew that I wanted to move to the U.P. and work outside in a way that would have a positive impact on our natural resources. Pursuing a Master of Forestry at Michigan Technological University gave me that opportunity.” -Joanna Through the Master of Forestry program, Joanna learned the field skills of identifying and taking scientific measurements of trees, along with long term management and habitat concepts. “Trees can teach us so much. Understanding the trees can help us understand the soils that support different species growth, past management, and what wildlife can be supported at any particular location.” -Joanna

     “I realized through my field and lab work that a lot of lumber was wasted at different steps in the process, from trim and miscuts at the mill, to any final product. I started collecting these miss-cut boards and drawing on them, just to see how I could use them so they wouldn’t go to waste. One day, I switched to using a woodburning tool, and everyone that saw them seemed to have a connection with the artwork, more so than the same image if I were to do it in a different medium. I have to attribute it to the wood itself, the fact that what once was a living tree still shows through as a part of the art. We all seem to have a deep connection with trees, in some form.” -Joanna

     Joanna continued her education through PhD research in Forest Science, this time combining her prior experience with biology, forestry, environmental policy and her love of artwork. She focused her PhD research on how pyrography (woodburning) artwork techniques respond differently to different species of wood. Through this research, and shifting focus from field work to artwork, she combined her skills and goal of having a positive impact on our natural resources, by creating artwork that carries a message. 

     Each piece of artwork is unique, not just because of the image she puts on the wood, but because each piece of wood was once a living tree, and the grain of the wood tells the story of the tree’s life. Some pieces of wood have knot holes, stain, bark, and other “defects” that have to be incorporated into the artwork. It’s not like painting on a blank canvas, the image has to work with the nature of the wood, and vice versa.  

     During her years of university studies, Joanna experienced some very traumatic personal events that shifted her focus to art, yet added an unique dimension to her connection with emotional aspects of visual interpretations. After earning her PhD in Forest science, Joanna turned to artwork as a full-time career. Her mission is to use her education to promote environmental ethics through the images that she creates, as well as through the medium that she specializes in, by using reclaimed wood for her pyrography works. 

Resume

Education:
PhD Forest Science, August 2023 Michigan Technological University, Houghton MI with a focus on pyrography
Master of Forestry, Dec 2012 Michigan Technological University, Houghton, MI
Bachelor’s of Science in Biology and Environmental Policies, May 2009, Central Michigan University, Mount Pleasant, MI

Solo Shows:
Feb-March 2024 “SoloS: 11th Edition of International Solo Exhibitions” Biafarin Online Gallery, Exhibizone, Vancouver, BC Canada
Feb 2021 “J Walitalo Woodburnings” Cross Country Sports, Calumet Michigan, USA
Feb 2019 “J Walitalo Woodburnings” Cross Country Sports, Calumet Michigan, USA
Feb 2018 “J Walitalo Woodburnings” Cross Country Sports, Calumet Michigan, USA

Exhibitions (Juried):
April-June 2025 “Access-Ability” Studio 23, Bay City, Michigan, USA
March – May 2025 “Survivor Art Show” Studio 23, Bay City, Michigan, USA
March 2025 “Trees and Flowers” Modern Visual Arts Gallery, Bethlehem, Pennsylvania, USA
Feb 2025 “Current Mood” HMVC Gallery, New York, juried international w3online exhibition, USA
Dec 2024 “Poor Artist Sale” Juried Arts and Crafts Show, Copper Country Community Arts Center, Calumet, Michigan USA
August-Oct 2024 “3rd Annual Kingdom Animalia” International Juried Online Group Exhibit, Exhibizone and Biafarin, Canada
April-June 2024 “HOPE International Smart Online Group Exhibition” Gallerium Art Exhibitions, Canada
April 2024 “No Fools, Just Art.” KBM Art Gallery LLC, Riverside, California, online exhibition 
Aug 2023 “Amazing Space” Rhode Island Watercolor Society, Pawtucket, Rhode Island, USA
July 2023 “Signs of Rural Life” Blue Cat Gallery & Studio, Wayne Nebraska, USA
June 2023 “Student Photo Contest” Michigan Technological University Forestry Department, Houghton Michigan, USA
Jan 2022 “The Crow Show” The Arts Illiana Gallery, Terre Haute, Indiana USA
Jan 2022 “Human Faces and Figures” Las Laguna Art Gallery, California USA
Nov 2020 “UP Wildlife” Bonifas Arts Center, Escanaba, Michigan, USA
Dec 2020 “Christmas Art Show” Alberta House Arts Center, Sault Ste. Marie Michigan, USA
Sept 2020 “UP Cycle” Bonifas Arts Center, Escanaba, Michigan, USA
Sept 2020 “Care and Craft Show” Jane Chancellor Moore Gallery, Frankfort Kentucky USA
Sept 2020 “Dune Birds in Art 2020” Indiana Dunes Birding Festival, online exhibition
Aug 2020 “Art Explosion” AuSable Artisan Village, Grayling Michigan USA
July 2020 “Artists in the time of Coronavirus, an ongoing virtual exhibition, Part 51” The Artist Blog, online exhibition
June 2020 “US 2” SaveArtSpace x Erickson Center for the Arts group public art exhibition, Curtis Michigan USA
June 2020 “We Will Not Be Stopped” Tay’s Art Museum, online exhibition

Artist In Residence:
Porcupine Mountains State Park, Friends of the Porkies Artist in Residence Program, June 2025

Awards:
Staff Pick of the Week Award, “Survivor Art Show” Studio 23, Bay City, Michigan, USA May 2025
Honorable Mention, “Amazing Spaces” Rhode Island Watercolor Society, Pawtucket, Rhode Island, August 2023 (Artwork: “Took Dad Hunting” pyrography)
1st Place “Student Photo Contest” Michigan Technological University, Houghton Michigan, USA, June 2023
Grant Recipient, “Unity Mosaic Project” Sentito Arts Foundation, Texas USA, June 2020
3rd Place and Featured Artist, “We Will Not Be Stopped” Tay’s Art Museum, online exhibition, June 2020
Honorable Mention, “Junk Art Competition” Baraga County Lake Trout Festival, Baraga Michigan, USA, June 2020
Honorable Mention, “2020 Art Contest” Whitney Art Museum, online exhibition, June 2020

Books Illustrated:
Denofre, Christa. “Love Many, Trust Few; Always Paddle Your Own Canoe” Self-published, February 2026
Wainio, Clyde. “
If it Snows, Go Fishing / 50 Years of Stream Fishing in the Keweenaw” Modern History Press, 2025
Frontiera, Deborah K. “Douglass Houghton: Michigan’s Pioneer Geologist, Doctor, and Teacher” Modern History Press, 2025
Tippett, Mary V. “Enduring Legacies: Revisiting the Barnes-Hecker Mine Disaster of 1926” Modern History Press, 2025
Classen, Mikel. “Old Victoria, a Copper Country Ghost Town” Modern History Press, 2023
Lord, Elen. “Vigil” Modern History Press, 2023

Lord, Elen. “Relative Sanity” Modern History Press, 2023
Dallman, Ann. “Cady and the Birchbark Box: A Cady Whirlwind Thunder Mystery” Modern History Press, June 2022.
Dallman, Ann. “Cady and the Bear Necklace: A Cady Whirlwind Thunder Mystery,” 2nd Ed. Modern History Press, February 2022.
Kennedy, Sharon, M. “The SideRoad Kids: Tales from Chippewa County Modern History Press, Modern History Press, August 2021.
Henderson, Moose. “50 Florida Wildlife Hotspots: A Guide for Photographers and Wildlife Enthusiasts” Sastrugi Press LLC, August 2021.
Jenkinson, Clay. “The Language of Cottonwoods: Essays on the Future of North Dakota” Koehler Books, June 2021.
Elpel, Thomas J. “Five Months on the Missouri River” HOPS Press, April 2020.
Henderson, Moose. “Create Intimacy and Impact with Wildlife Photography: Use and DIY Construction of Ground Pods” Self-published, February 2020.
Henderson, Moose, “Microhistological Atlas of Greater Yellowstone Elk Forage” CreateSpace Independent Publishing Platform, March 2018. 

Books Authored:
Walitalo, Joanna D. The Art and Science of Wood: From Pyrography to Termites and Wood Decomposition. Diss. Michigan Technological University, 2023.
Walitalo, Joanna. “J Walitalo Woodburnings, Highlights from the First Five Years” Modern History Press, Nov 2021. (received the UP Notable Book Award, 2021)

Public Art:
Mural, Great Lakes Research Center, Michigan Technological University, Houghton, Jan 2013
Mural, Green Point Environmental Learning Center, Shiawassee National Wildlife Refuge, Saginaw, MI, July 2009
Kiosk Illustrations, Lake of the Clouds, Porcupine Mountains Wilderness State Park, Ontonagon, MI, 2003

Artist Influences

Joanna has had several art teachers throughout the years. Barb Rogers, Joanna’s mom, is an artist and art teacher. Growing up, they would do art together. Barb would teach Joanna how to see the world around her as an artist. Moments of light and shadow, or composition and attention to detail were things that Joanna inherently learned from her mom on a daily basis growing up. 

James Matherne was Joanna’s elementary and middle school art teacher. He taught Joanna much in the way of color theory and work ethic as an artist. “I can still see Mr. Matherne’s influence in my work today” -Joanna

Armin Mersmann, who is best known for his graphite pencil works, has been a great teacher and mentor for Joanna. She has had the privilege of taking classes from Armin when she was in middle school, and continues to attend his online classes even after she completed her PhD. “Armin is a wealth of knowledge and insight. I am always inspired and learning in his classes.” -Joanna

 

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